Nixie Concrete

The vintage Z560M Nixie tubes, used in former East-Germany in the mid 20th century as numeric displays, were the inspiration for the design of Daniel Kurth's Nixie Concrete.

The Luxembourgish designer enclosed the shiny orange Nixie tubes in a reinforced rough concrete body which can optionally be wall mounted. The strength of this design lies in the application of 'retro technology' and its interesting combination of components and materials, where one is easily fooled as to what is old and what is new. All electronic components in this fully functioning prototype are assembled by hand.

Unlike other clocks that make use of Nixie tubes, this one does not read like a traditional display. Kurth experienced that clocks - regardless of their esthetic value - sometimes form a disturbing factor in one's house, since being constantly reminded of the time can be stressful. By rearranging the display, one can enjoy the playful interaction between the 6 different tubes without realising straight away what time it is. A short focus will however allow you to use it as a 'normal' clock. The time in the picture reads 10:23:54.

More on Daniel Kurth and his awesome Nixie Concrete Clock.

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HMK

DieFabrik Storage System

I'm digging the simplicity of this hip and smart interlocking storage system from the folks at DieFabrik in Germany.

"Sehr schön - ich will das für unser Haus!"

That's Right,

HMK

Gerd Arntz

This is a great reference for those of us who are forever looking to simplify and communicate instantly.

In the interest of simplification, Gerd Arntz (1900-1988), commissioned by Otto Neurath, developed the Isotype visual dictionary. The idea was that images can bridge differences of language, are easy to grasp and, when done well, also nice to look at.

The International System Of Typographic Picture Education was developed by the Viennese social scientist and philosopher Otto Neurath (1882-1945) as a method for visual statistics.

Gerd Arntz was the designer tasked with making Isotypes, pictograms and visual signs. Eventually, Arntz designed around 4000 such signs, which symbolized keydata from industry, demographics, politics and economy.

The legibility of Isotype is determined by the simplicity of its symbols. These should be instantly recognizable,without any distracting detail. What counts is the general idea – for common use the precise details are of less importance. Or in Neurath’swords: ‘It is better to remember simplified images, than to forget exact figures.’


Above is a 1930’s linoleum-cut and print proof of an Isotype symbol by Gerd Arntz from the Arntz archive, now at the Municipal Museum, The Hague. The original linos show the precision of the craft work in the expressive traces of the gouge. Photo: Max Bruinsma


Gerd Arntz draws the Isotype symbol for 'unemployed'.

Do yourself a favor and bookmark this as an insightful and handy reference tool complete with some really nice detailed history along with the 4000+ isotypes over at the Gerd Arntz Web Archive.

That's Right,

HMK